Using Pictures to Teach Narrative Writing with Roll of Thunder, Hear My Cry

Subject: Sixth Grade Language Arts – Segregation and Roll of Thunder, Hear My Cry

Time allotted: 90 minutes

Organization: large group

Objective: Students will demonstrate the understanding of the components in a narrative by using pictures about segregation to write the narrative.

Student worksheet available at http://www.trinaallen.com/rollofthunderstudent.html

Teaching Mode: Direct

Provision for Individual Differences: Students are heterogeneously mixed. The combination of modeling by the teacher and students will help to meet the needs of the varying abilities in the classroom. This assignment is open-ended enough for all students to find success “where they are” (Gardner, 2004).

Teaching Strategies: Some lecture, dialogue, modeling, discussion, group critique, planning.

Teaching Behavior focus: Focus will be as facilitator. Students will direct the lesson by creating the model used to demonstrate narrative writing.

Materials needed for this lesson:

oOne copy of a picture depicting segregation for each student– ideally with larger copies available for fine details.

oPaper- pencil

ooverhead, board and markers, or chalk

oGeneral classroom supplies

Lesson Activities:

Step 1. Anticipatory Set: (Motivation)

oAs review, ask students to write a definition of segregation. Volunteers will state their definitions. Write the definition on the board for students to refer to as they write their narratives. (Students should have read and discussed segregation and Roll of Thunder, Hear My Cry prior to this lesson).

oDistribute pictures depicting segregation- one to each student. Or ask students to bring pictures from magazines that demonstrate segregation or reverse segregation. Hang several larger pictures on the wall so students can use them for greater detail.

oStudents will examine their picture individually for five minutes, writing details on the worksheet.

Note: Newspapers and magazines are good sources of pictures for this lesson as well as the following online museum Web sites.

Jim Crow Museum of Racist Memorabilia at Ferris State http://www.ferris.edu/htmls/news/jimcrow/index.htm

Norman Rockwell Museum http://www.nrm.org/

Online Tours of the National Gallery of Art http://www.nga.gov/onlinetours/index.shtm

Web Museum, Paris http://www.ibiblio.org/wm/paint/auth/

Step 2. Objective (Overview of learning outcomes to pupils):

Students will use pictures about segregation related to their unit of study for Roll of Thunder, Hear My Cry to:

odemonstrate knowledge of the characteristics of narrative writing by writing a narrative.

odemonstrate connections between images and words by using narrative writing to build understanding of content.

ouse detailed vocabulary in writing their text.

Step 3. Presentation (Input) of information:

Students will review the following characteristics of narrative writing as a whole class: developing plot, character and setting using specific detail and ordering events clearly using chronological order.

Direct students’ attention to one picture on the board. As a whole class have students brainstorm possible events and characters this picture illustrates about segregation. Place the words or phrases under the following headings on the board as students share their ideas. Have students fill this information in on their worksheets.

Characters Setting Situation Feelings Vocabulary

Step 4. Modeling/Examples:

Use one character from the class table. Model writing a narrative on the board from the character’s point of view by calling on students to give the details. Encourage students to describe the picture and to invent an original story related to the segregation illustrated in the picture. Decide as a class whether to tell the story that leads up to the picture, or to narrate the events that follow the picture. Write events in chronological order on the board as well as including the character’s feelings and thoughts.

Step 5. Checking for Understanding:

Have students evaluate the story written on the board that they created by checking the blank before each element of narrative writing that they find in the class story about segregation.

1. _____ One character’s point of view.

2. _____ Details about the character .

3. _____ Details about the setting.

4. _____ Details about the situation.

5. _____ The story was in the correct chronological order.

6. _____ The narrative contained feelings and thoughts.

Circulate as students work to check for understanding. Call on students to share their evaluation to be sure all students understand the content.

Step 6. Guided Practice:

Using the picture that they were assigned (or the one they brought from home) students will brainstorm possible events and characters by filling their ideas in the same table used in step 3:

Characters Setting Situation Feelings Vocabulary

Circulate to check for understanding.

Step 7. Independent Practice:

Have students choose one character from the table and write a narrative similar to the one modeled for them in step 4 from that character’s point of view. Students will invent an original story related to the segregation illustrated in the picture. They will decide whether to tell the story that leads up to the picture, or to narrate the events that follow the picture. They will write events in chronological order and write about the character’s feelings and thoughts.

Step 8. Closure:

Students will be evaluated using the same rubric used in step five, Checking for Understanding. Refer students to that evaluation rubric and ask students to give the example from the story previously written on the board to illustrate each area from the rubric. The stories can be assigned as homework or completed as class work as per the preference of the teacher.

Note: This lesson is modified from Gardner, T. (2004). A Picture’s Worth a Thousand Words: From Image to Detailed Narrative, from http://www.readwritethink.org/lessons/lesson_view.asp?id=116.

In With the Nu

AS YOU sit in one of the small and scruffy departure lounges at Kunming Airport, waiting for the connecting flight to Xishuangbanna in the southwest, you turn your attention to two large billboards situated prominently near the windows facing the cluttered airstrip. The posters, with glossy defiance, celebrate the ongoing construction of two large hydropower stations on the Jinsha River, the western branch of the Yangtze. The plants, built also to reduce the siltation pressures on the Three Gorges Dam further downstream, are airbrushed in clean and shiny whites and greys, and the water around them remains a perfect and implausible blue.

They are among many such construction projects currently being considered in Yunnan, where economic development has been given the priority above almost everything else, and where power corporations from the east have been rushing to take advantage. A project that will eventually submerge the celebrated Tiger Leaping Gorge – on the section of the Jinsha north of Dali – is also underway, arousing significant international opposition. The International Rivers Network says that the damage caused by the flooding of the valley to the local ‘cultural heritage sites’ will be ‘irreplaceable’. They are also concerned by the irreversible changes to a unique ecosystem.

Meanwhile, the provincial capital of Kunming continues to grow. The train station, renowned as the most unbearable in the whole of China, is still surrounded by rubble and temporary wooden partitions marking some new road or building. The entire city, cowed by roadblocks and scaffolds, picked at by cranes, seems – like many others in China – to be on the verge of an explosion. As the government slogan announces, peremptory and beyond refute, ‘Development is inevitable’.

In the far west of Yunnan, the untouched Nu River seemed to have been given something of a reprieve a few months ago. China’s single remaining virgin waterway, which winds north through some of the province’s most beautiful landscape, was about to be given a big seeing-to by the nation’s energy-mad authorities. Earlier this year, Premier Wen Jiabao was said to have intervened personally, asking developers to reconsider their plans. Still, one imagines that the ‘rape’ of the Nu is just a question of time.

The philosopher, Martin Heidegger, chose to illustrate the two different approaches to nature by comparing the construction of a bridge with the construction of a hydroelectric dam. Modern technology, he wrote, was ‘a manner of unprotecting’ nature. A bridge, connecting up the two banks, shows ‘respect’ for the river, but a hydropower station actually turns nature into part of its own ‘inventory’. The power plant is not built into the river, but the river is built into the power plant.

To illustrate the difference in perspectives, Heidegger compared the Rhine as part of the inventory of modern technology with the Rhine described in a poem by Holderlin. After it has been devastated by technology, the river remains as ‘a provided object of inspection by a party of tourists sent there by a vacation industry’. Such a description seems appropriate in modern Yunnan. While the power companies work their way through the region’s rivers, foreign and domestic tourists have transformed old cities such as Dali and Lijiang, and plans to improve the transportation infrastructure to the west and to the south will see the character of prefectures such as Xishuangbanna and the Nu River changed beyond recognition.

There are a number of small bridges connecting the banks of the Nu, but the favoured means of crossing by the local farmers seems even purer than that. Hooking themselves into a harness consisting of a rope and a piece of flat canvas, they sweep back and forth at massive speeds on a cable attached to a couple of trees, and carry bags of cement, grain and sometimes even livestock between their knees as they do so. One farmer agreed to carry me. Slung across the grey autumn waters and into a patch of worn grass on the Nu River’s left bank, the bowel-shaking fear quickly gave way to a sense of exhilaration.

I was taking a long ride from Dali with an incompetent local tour guide to the town of Liuku in western Yunnan, right on the bank of the Nu River. The area is a picture of health, ruddy and rugged and robustly green. Farmers spin past on motorbikes, trading chunks of meat with local guest houses and restaurants. At one stop along the way, situated on a bend on a country road, a three-legged horse skipped past – cheerfully enough, considering the circumstances. The half-whistle, half-bleat of the local birds could be heard everywhere. Tiny communities lived in wooden shacks on the hills, emerging on Tuesdays to trade at the local markets.

It was tempting to call the place quaint, and worthy of any preservation order that might be made to stick. It was, however, dirt-poor, and though much better and much more lively than a decade or so ago (according to our guide), most of the people living here would love to replace their stilted huts, their latrines, their drafty outhouses, with new buildings and indoor plumbing.

Usually, it is only outsiders who get sentimental. We, after all, can go home somewhere else. One isn’t entirely sure that the life of the poor throughout China would be improved by any degree were their barns, their slums, their shanty towns to become ‘heritage sites’. On the other hand, it is clear that the mass destruction caused by economic growth is not of much benefit to the communities affected. It is also clear that the ecology of Yunnan – one of the most varied and vibrant in China – is being put under threat.

Still, crossing the upper reaches of the Mekong, watching the silt-filled, chocolate-coloured waves and negotiating the old van past the piles of rocks cast down during a recent landslide, one cannot fail to be impressed somehow. I have been bruised, stupefied and generally thrown about by hundreds of poor-quality roads throughout China. Here, the biggest challenge was the occasional ford cutting across a narrow but mostly impeccable mountain pass. In harsh conditions, the road builders had performed well.

Roads are the big thing in Yunnan. Plans are underway to complete a regional high-speed road network that will connect Kunming with Singapore. Coming back from the wild elephant park in Xishuangbanna, we were halted by a fleet of trucks and steamrollers inching along to assist a team of miscellaneously-dressed labourers spreading grit across the tracks. Above us was the skeleton of an overpass, its bare stanchions planted in the fields nearby. The old road will eventually become superfluous for the majority of freight traffic surging through the region and into southeast Asia. Things will change, we thought, and Jinghong, the region’s major city but run at a painfully slow pace, will no doubt be brought up to speed by an opportunistic migrant population from Sichuan or the northeast.

LIUKU is a small urban centre and trading spot for the hundreds of small counties and villages scattered throughout the area, several hundred kilometres west of Dali. Whatever purists might think, the locals would love it if streams of tourists were suddenly to pour in from the more fashionable areas further east, but apart from the way it nestles comfortably – if a little chaotically – in the mountains running along the banks of the Nu, there is little to distinguish the place. Its greatest advantage is its location, and visitors note the great potential of the riverfront, where a couple of cafes now provide much of the town’s nightlife.

As one enters the town, an old Ming Dynasty temple lies on the mountain above the intersection of the Yagoujia River and the Nu River itself. As is customary, the temple appears as if it was built out of papier mache and painted yesterday morning by industrious local schoolkids. A huge laughing Buddha decked out in gold paint seems to dominate the gaff from his little stage. Dogs patrol the high steps, and spiders, each two inches long, nest in the frames of doors and in the overhead lights.

Across on the other side of the river, the effects of the previous night’s rain storm were clear to see, with policemen knee-deep in mud and the road – the only route north – blocked by piles of displaced rock.

The foreigners, so prevalent in Dali, and less so in Jinghong further south, were nowhere to be seen. Hardcore travellers head north to see the enclaves of Tibetans, or the old ethnic ways of the Lisu, the Nu and the Drang nationalities. Some come to see the immense volume of indigenous butterflies, with a couple of Japanese collectors even managing to steal a few rare specimens under the noses of the local authorities a few years ago. There were also stories of a pair of American travellers crossbowed in the back by Lisu hunters after trying to abscond with some significant local religious icon – the man with the story wasn’t quite sure what the object was. The rest of the local legends about foreigners involve them being attacked by Tibetan dogs and carried out of the forests, bleeding. Still, foreigners here are once again the objects of fascination, rather than the sort of seen-it-all-before scorn one gets in Shanghai, or the dollar-sign gazes in Dali and Lijiang.

Guidebooks such as Lonely Planet abhor the current pace of Chinese development, of course, and as the years pass and the new editions enter print, the laments about the high-rises and highways seem to get longer and longer. China is losing its character.

We can understand this. And yet, after a week on the road along the Nu River, speaking no English and staying in the dingiest of guest houses, we still longed for the pizzas, banana pancakes and foreign influences in Dali. Many agreed, and many long-hatched tour plans are thwarted by the magnetism of the town’s bars and cafes. Some foreigners on year-long tours find themselves stuck, unable to leave, trapped in a perpetual marijuana haze and remaining lucid enough just to teach a few classes in the main city and pay for their lodgings.

Travelling further north from Liuku on the way to Fugong the following day, rain clouds lingered like smoke on the mountains, and dozens of blue, three-wheel buggies chugged down the slope on the only road out. We drove through building sites, where workers squatted on dunes of mud, and through villages in which cattle and old nags wandered wearily past, and where tiny, friendly little dogs lounged on almost every stoop. Streams of water, bloated by a heavy rain storm the previous evening, cascaded into the rough Nu waters.

We stopped off in a small market village called Gudeng, close to the Binuo Snow Mountain, and watched the local farmers manhandling a couple of disobedient black pigs. Another offered us a glass of warm corn liquor he had just produced at a makeshift stove attached to a dirty plastic pipe. The dominant presence in the town was the family planning centre, where government slogans about improving the quality of the population were pumped out from a pair of loud speakers, drowning out the Chinese disco beats emerging from the market itself. Apart from the family planning centres, there are other things that seem ubiquitous throughout China, from Xinjiang to Shanghai and from Guangdong to Yunnan. One of them is the pool table. Another is the bill poster advertising cures for sexually-transmitted diseases.

WE CAME to understand that in the pretty little town of Fugong, where we spent Mid-Autumn festival, the local residents – mainly of Lisu minority – would also have longed for the sort of opportunities afforded to Dali. Cafes, restaurants, and a place on the tourist trail would revitalize the place, and would ultimately be of far more value than a hydropower station. Can the two be disconnected? Some of the villages along the banks of the Nu River didn’t even have a watt of electricity until the last decade. It is a fact of life that further development – including the tourist industry – requires more power.

Purists are unlikely to consider the contradiction, and may indeed prefer to slum it – for a week in any case – in tents or in the dingy, second-rate guest houses available en route. Still, the woman at the reception of the guest house in Gongshan seemed apologetic. ‘Are you sure you want to stay here?’ she said.

Heading across the river, we came across a large wooden public house built on an old water mill. Wheels driven by the Nu River itself churned away beneath a section of rooms lined with soggy woven carpets and old Lisu paraphernalia – the traditional costumes and weaponry of the bulk of the local people. A dozen girls from a local hair salon were dancing in the middle of one of the stages on the upper tier of the building, moving two steps forward and two steps back, hand in hand. They greeted us favourably, encouraging us to join in their drinking games. We had a ‘one-heart drink’ (tongxinjiu) – where two people drink from the same glass, their cheeks and mouths touching – with every one of them, the sweet local liquor dripping onto our clothes.

Hours later, after crossing the bridge again and singing Lisu songs as we parted company with our new friends, we managed to stumble through a tunnel and into the grounds of the local Public Security Bureau, where the Fugong police were also celebrating the Mid-Autumn Festival with a form of dance which, by the time we started to participate, seemed to involve running at top speed while kicking our legs as high as possible in the air. Local police chiefs, conforming to the stereotypes of drunkenness that seem more or less international, told us that national boundaries didn’t matter, and that friendship transcended all countries. We agreed.

The next morning, driving out of the town and past a long row of old wooden buildings with red sliding doors and a range of shoddy garages that serve as shops and diners, we headed for Gongshan along a spectacular stretch of scenery, part of a 300-km gorge lined with waterfalls, brooks and white cloud pierced by the mountains on both banks. Houses seemed to balance precariously on the plateau, only a storm away from complete collapse. Women carried large squares of corrugated iron along the slopes, their children following.

The whole Gongshan region, an old man in the guest house told me, has now been renamed the ‘Three Rivers Gongshan Region’. ‘They are creating a trademark,’ the man said, shrugging his thin shoulders. The Mekong, the Nu, and the Jinsha all pass through before reaching their source, and the local government are trying to draw in the trade.

The town itself, another sleepy cluster of apartments, restaurants and trading posts all piled up in layers along the slopes leading from the river to the mountain, was actually far from untouched. As was the case in Liuku, the missionaries had already been and gone, leaving a curious legacy of Roman Catholicism among the local minority communities. Mothers sat weaving on the steps of a church – a square, squat one-storey affair with a bright red cross built on the mountain – waiting for evening prayer. Prayer notices on the wrought-iron door of the church were transcribed in a romanized version of the local Lisu language. Some hours later, an implausible disco beat pounded out from a wooden house further up the hill, and the church was empty.

A Tibetan girl, working in a curious entertainment complex close to another Catholic church further down in the valley, asked us if we were fellow believers. She answered to her Catholic name of Mary, and was from Dimaluo, an ethnic mishmash of Tibetans, Lisu, Drong, and others some way further north along the river. There was a sadness to her as she told us her life story, about her stalled education, about the death of her father after a sudden and inexplicable ‘infection’, and about her preference for the countryside from which she hailed.

In the stores nearby, posters of Zhou Enlai, Sun Yatsen and the Panchen Lama swayed slightly in the wind, and beneath them lay the usual clutter of mooncakes, cigarettes and cheap, defective batteries.

What worried us about ‘untouched’ places like Fugong or Gongshan was not so much the prospect of development, and the ‘exploitation’ or ‘despoliation’ or ‘swamping’ of the local culture and character, but the thousands of local residents, educated to a degree, certainly aspirational, but cut off even from the possibility of ambition, marooned in a remote town that is linked to the nearest city only through a single mountain pass that requires two days to traverse. As we did at the Three Gorges, we started to wonder whether the sacrifice of the local scenery could somehow be made worthwhile, if it could allow these people a way out. After all, it might be more appropriate to judge the vitality of a culture by its porousness, and more pertinently, by the opportunities it gives its members to escape and try something new.

Heidegger hated the way the Rhine had become an object of the tourism industry as well as the hydropower industry, but on the Nu River, we had to allow for the fact that the proposed construction of an airport in remote Gongshan, the construction of highways, and the development of local industry might actually be good for the area, in the absence of any other options. Heidegger hated TV and spent most of his final, disgraced decades in a wooden shack in the Black Forest, but he had choice. The local residents in Fugong and Gongshan have TV, and they see the glitter of wealth and opportunity. But they have no wealth. And no opportunity.

And yet, the ‘current mode of development’ is all about exploitation, and the further enrichment of China’s east coast at the expense of the west. The scenery is ruined, the ecology is damaged, and old farming communities are moved to nearby urban slums, where they have little prospect of work or prosperity. Here, as in the Three Gorges and other regions, one imagines that the local people will reap little of the rewards of ‘opening up’.

Questions First Time Investors Should Ask Before Investing

It is easy to find people’s opinion on how to invest in the stock market as everyone has a different angle on what to expect in the stock market at every point in time, but most of the time people’s opinion may be very confusing. The most common problem that new investors do have is how to determine good investments from the bad ones, what to invest on, what time to invest among others. Some of the questions that you need to answer so as to make a good decision when you want to invest are highlighted below.

Is This a Good Time to Invest in Stocks?

On the off chance that you are taking a gander at money markets amid a lofty decrease, you may think it is a terrible time to begin investing. On the off chance that you are taking a gander at it when stocks are reviving, you may think it is a decent time.

Neither one of the times is fundamentally great or terrible in the event that you are investing for the long haul (10 years or more). Nobody can anticipate with any level of assurance which way the share trading system will move at any given time; yet over the long haul, stock markets has constantly moved higher. Each bear advertises is trailed by a buyer market (when stock costs rise). Verifiably, positively trending markets have endured any longer than bear markets, and the additions of buyer markets have more than counterbalance the misfortunes in bear markets

How Much Risk Should I Take?

A standout amongst the most essential fundamentals of investing is the cozy relationship amongst risk and returns. Without risk, there can be no profits. You ought to will to accept more risk on the off chance that you are looking for more noteworthy returns. In that regard, risk can be something to be thankful for, yet just in the event that you take into consideration adequate time to let the inescapable market cycles happen. By and large, in the event that you have a more drawn out venture time skyline, you ought to will to expect a more noteworthy measure of risk, on the grounds that there will be more opportunity for the market to work through the here and there cycles. Generally, understanding financial specialists have been compensated with positive long haul returns.

New investors are regularly encouraged to put fundamentally in common money, which can give moment enhancement, offering the most ideal approach to lessen risk. By putting resources into a couple of various shared assets speaking to various resource classes, (for example, expansive development stocks, global stocks or bonds), you can lessen unpredictability significantly promote without yielding long haul returns.

On the off chance that you are beginning an investment program by investing incremental measures of cash on a month to month basis, you will profit by dollar cost averaging. When you invest an altered measure of cash on a month to month premise, you get some share costs at a higher cost and some at a lower cost because of market changes. At the point when the market decreases, your settled dollar sum will purchase more shares. After some time, the normal cost of your shares ought to be lower than the present market cost. By utilizing dollar cost averaging, your drawback risk will be alleviated after some time.

What Is My Investment Goal?

The most vital question to consider before making any invest is, “What Is My Investment Goal?” Your ventures will contrast boundlessly if, for instance, you are attempting to spare cash for retirement as opposed to attempting to spare cash for an up front installment on the house. Things being what they are, ask yourself, “Is this venture prone to help me meet my objective?”

What Is My Risk Tolerance?

If your investment objective is to profit as would be prudent and you can endure any hazard, then you ought to invest in the National Lottery. Putting resources into lotteries, be that as it may, practically promises you won’t achieve your venture objective. There are speculations for each level of risk resilience. But if you are not a high-risk taker, investing in long-term investment is the key.

What Happens if This Investment Goes to Zero?

Among the 12 stocks in 1896 stock list, only General Electric is still in operation, the other eleven firms in the first record have either gone bankrupt or have been gobbled up. There is a genuine plausibility that any investment you make could go to zero while you claim it. Ask yourself, “Will I be monetarily crushed if this speculation goes to zero?” If the answer is yes, don’t make that venture.

What Is My Investment Time Frame?

As a rule, the more extended your investment time allotment, the more risk you can take in your investment portfolio since you have more opportunity to recuperate from a mix-up. Likewise, in case you’re putting something aside for retirement, and you’re decades from resigning, putting resources into something illiquid (like an investment property) may bode well. “Does this venture bode well from a planning perspective?”

When and Why Will I Sell This Investment?

If you know why you are putting resources into something, you ought to have an entirely smart thought of when to sell it. On the off chance that you purchased a stock since you were expecting 20 percent income development for each year, you ought to anticipate offering the stock if income development doesn’t live up to your desires. On the off chance that you purchased a stock since you enjoyed the dividend yield, offer the stock if the profit yield falls.

Who Am I Investing With?

It is extremely hard to judge the character and capacity of anybody in light of a two-passage portrayal accessible in an organization’s yearly report or a common store outline. However, you ought to at any rate know with whom you are entrusting your money. What is their past record? Things to hope for are long fruitful track records and good dividend and turnover.

Do I Have Special Knowledge?

A celebrated investment expert feels that normal individuals have a tremendous favorable position over investment experts in fields where they work in light of the fact that no investment professional will ever know more around an industry than somebody who works in it. Ask yourself, “Am I putting resources into something I know something about, or am I putting resources into something that some specialist know something about?”

I couldn’t care less how great something sounds. In the event that I don’t totally see how it functions, I won’t put resources into it.

In the event that an investment can’t be clarified obviously, it implies one of two things:

The individual clarifying it doesn’t comprehend it either, or there’s something about the investment that the individual is attempting to stow away.

On top of that, one of the greatest keys to investing admirably is adhering to your arrangement through the good and bad times.

That is difficult. Indeed, even the best investment methodologies have enormous down periods that make you reconsider. Adhering to your arrangement in those extreme times requires a practically religious-like conviction that things will pivot.

Furthermore, the best way to have that sort of conviction is to comprehend why you’re investing the way you are and what every bit of your arrangement is accomplishing for you. Without a solid comprehension, you’ll more likely than not safeguard at the main indication of inconvenience.

Why Do I Still Own That Investment?

It is a smart thought to intermittently look through your investment portfolio to ensure regardless you need to claim your stock. Offering an investment for a misfortune or offering a major champ is exceptionally troublesome. Be that as it may, the greatest distinction amongst beginner and professional investors is that professional investors don’t have passionate ensnarement with their investment and can strip themselves of their investment without kicking themselves if the investment keeps on picking up esteem.

Should I Be Managing My Own Investments?

It is extremely difficult for beginner investor to perform well than a professional investment expert. If you don’t have sufficient energy or slant to deal with your investment, you ought to think about paying an expert to do it for you. Every investor wants to make profit, so there is no harm in trusting your investment in good hand.